Thursday, January 06, 2022

Mao Zedong repeatedly blocked his image from being printed on the RMB

(Translator’s preface: Mao Zedong set a great example of personal modesty and plain living.  During the Cultural Revolution, personal worship of Mao was taken to ridiculous lengths.  He was eulogised everywhere as “Great Leader, Great Teacher, Great Helmsman and Great Commander-in-Chief”, but said he hated this and wanted to be known only as a teacher, a profession he trained for and worked as in his early years.  During his lifetime, he forbade the printing of his image on the nation’s currency. It is a great irony that following his death and the restoration of capitalism, the currency that accompanied the emergence of billionaires by the dozen carried the image of this great Communist. The images of the currency have been sourced by me, and the italicised notes with them are mine.)

2020-10-6

The yuan used in China has accompanied the establishment and growth of the People's Republic for nearly 60 years of trials and tribulations. It was born under the fire of the Liberation War and developed during the booming period of socialist construction and reform and opening up, with a total of five sets issued in succession. The head of the founding leader and great man of the century, Mao Zedong, was finally solemnly emblazoned on the RMB in the fourth set, which was printed and issued from 1987 to 1992, and in the fifth set, which was issued on the 50th anniversary of the National Day in 1999. It would have been possible for Mao Zedong's portrait to be on the currency to meet the long-awaited people much earlier. This is because Mao Zedong had firmly refused to have his image printed on the RMB several times during his lifetime.

In April 1947, the Central Committee of the Communist Party of China appointed Dong Biwu to prepare for the establishment of the People's Bank of China and to organise the design and printing of the RMB at the same time.

The People's Bank of China was originally scheduled to be established and issue RMB on 1 January 1949. However, in view of the prospect of victory in the People's Liberation War, it was decided to bring forward the official opening of the bank by one month, i.e. 1 December 1948, and at the same time to convert the eight currencies of the various base areas into RMB at a uniform rate.

The design of the new currency was entrusted to Wang Yijiu and Shen Naiyong of the Jinchaji Border Area Printing Bureau. During the design process, the designers, initially full of reverence and in accordance with Chinese and foreign currency design practices, unanimously decided that the head of Mao Zedong, the founding leader of the Republic, should be placed on the face of the RMB, and submitted the design along these lines to the Party Central Committee for approval.

However, after seeing the draft submitted for review, Mao Zedong said in a very serious and strict manner a thought-provoking statement, "The RMB belongs to the state and is issued by the government, not the Party, and I am now the Chairman of the Party, not the Chairman of the government, so how can my head be printed on it?"

The design had to be changed because Mao Zedong's words were so eloquent and his subjective consciousness so sincere and disciplined, justified to the point of being impeccable. On the advice of Nan Hanchen, General Manager of the People's Bank of China, the final design was to reflect the masses of workers and peasants in the liberated areas and the construction of production. All the Chinese characters on the currency including "People's Bank of China", were written in standard block letters by Dong Biwu, who was the Chairman of the North China People's Government at the time. The RMB was printed by the Jiamusi Dongzhao Bank printing factory. The first batch of RMB was issued in Shijiazhuang, Hebei Province, at 9am on 1 December 1948, in the form of three types of banknotes: the five yuan, two yuan and one yuan.


(Above: the 12 denominations of the first issue ranged from 1 to 50,000 yuan, reflecting the inflation inherited from the defeated Guomindang regime).

The first set of RMB was printed and issued in 12 denominations and 62 editions from 1 December 1948 until December 1953. This set of notes from the early years of the country's existence focuses on reflecting the party line, policies and the will of the people at the time. Of these, 23 plates show the theme of establishing industrialisation, 20 plates reflect the theme of developing production, and four plates show the theme of the workers' and peasants' alliance. Due to Mao's strong principles and ample powers of persuasion, the history of his head on the currency had to be deferred.

On October 1, 1949, the People's Republic of China was proclaimed. Shi Lei, then head of the issuance section of the People's Bank of China, asked the governor of the People's Bank of China, Nan Hanchen, "Now that Mao Zedong has become the chairman of the central government, is it possible to print the image of Chairman Mao on the RMB?" Nan Hanchen nodded approvingly and said, "I have never forgotten about this. Let's think of it together." Nan Hanchen then shook his head a few times and said with deep regret, "It's just that the Chairman, the old man[1], still refuses to do so. The other day, when I went to Zhongnanhai for a meeting, I took advantage of the break between meetings to ask the Chairman for advice face to face. The Chairman was very resolute and told me with a solemn face, 'I have become the Chairman of the Government, but I cannot print it even if I am the Chairman of the Government, because we had a decision at a meeting before we went to the city. This decision was made at the Second Plenary Session of the Seventh Central Committee held in March 1948, which stipulated that it was forbidden to give birthday wishes to party leaders and to use the names of leaders as names of places, cities, streets, buildings and factories, so as to prevent some comrades from becoming complacent, singing praises, greedy for enjoyment and not seeking progress because of their victories, and to enable comrades to maintain their style of hard work and wholehearted service to the people ." Shi Lei nodded his head in conviction and said yes. For, as he had truly heard, the Second Plenary Session of the Seventh Central Committee of the Party had indeed made a ban on birthday celebrations for Party leaders and the use of the names of Party leaders as place names, as proposed by Chairman Mao Zedong.

In April 1950, Luo Gongliu and Zhou Lingzhao, renowned art professors, began work on the design of the second set of RMB in accordance with the decision of the Central Government. Based on international conventions, and in view of the uniqueness and anti-counterfeiting nature of the leader's portrait, they considered that the Soviet ruble had the portrait of Lenin, the American dollar had the portrait of Washington and Lincoln, the British pound had the portrait of the Queen, and so on, and it was logical that the new Chinese renminbi should bear the portrait of Mao Zedong, the leader who had established immortal feats for China and was much beloved by the Chinese people. They then carefully designed several sets of different images of Mao Zedong: a 5 Yuan note with ethnic minorities carrying a portrait of Mao Zedong; a 1 Yuan note with the portrait of Mao Zedong on the front of the Tiananmen Square; and a 20 cent note with a locomotive with a striking portrait of Mao Zedong.

When the above preliminary proposal was submitted to the Central Committee for approval, it was again met with the strong veto of Chairman Mao Zedong. Once again, Mao Zedong took a strong stance and firmly opposed the printing of his image on banknotes and repeatedly pointed out in all seriousness: "The Second Plenary Session of the Seventh Central Committee of the Party has a rule that one, we should not make birthday parties; two, we should not give gifts; three, we should give fewer toasts; four, we should clap less; five, we should not use people's names as place names; and six, we should not list Chinese comrades on a par with Marx, Engels, Lenin and Stalin. In order to stop the traditional phenomenon of singing the praises of virtue, the Party resolution must be observed, that my image must not be printed on the RMB."


(Above: the second issue in 1955 had a conversion rate between the first and second series of 1:10,000, so the value of the existing 10,000 yuan note fell to one yuan.  It reflected the victory of bringing inflation under control).

It is evident that Mao Zedong always kept a clear head and a sensible understanding that Mao's attitude was not a momentary modesty. He was taking the lead in implementing the initiative of "making sure that comrades maintain a modest, prudent, not arrogant, not impatient style, and making sure that comrades maintain a style of hard work", which was put forward at Xibaipo on the eve of the victory; he took the lead in seriously practising the principle of "catching up" from Xibaipo to Beijing "We will never be Li Zicheng, we will get good results in the examination"[2].

With such a firm attitude and orders from Mao Zedong, those responsible for the design and production of the second edition of the RMB and the specific staff had no choice but to comply with the orders. The good thing is that Premier Zhou Enlai was extremely responsible for the design of the notes and carefully reviewed them one by one, giving a series of instructions and making specific comments.

One day in 1953, Wang Wenhuan, director of the Printing Bureau, approached the governor of the People's Bank of China, Nan Hanchen, with the layout of 11 types of banknotes that had just been revised, to ask for further instructions for review. Wang Wenhuan pointed out the layout and said, "The 1 yuan note is Beijing Tiananmen Square, the 2 yuan note is Mount Baota in Yan'an, and the 3 yuan note is Longyuankou in Jinggang Mountain. The 5 yuan note and the 10 yuan note use the image of national unity and the alliance of workers and peasants, reflecting the foundation of our country. The whole set is complete and unified in design, with an outstanding national style." Nan Han Chen nodded in satisfaction. In this way, the second set of RMB 20-cent notes, originally designed with a small head of Mao Zedong embedded in the locomotive of the Mao Zedong, were eventually replaced with a five-pointed star. Other items such as the portrait of Mao Zedong on the Tiananmen Square Tower on the 1 Yuan note, and the portrait of the Chairman in the parade scene of people of all ethnic groups holding up the portrait of Mao Zedong on the 5 Yuan note, were also all cancelled.

The original draft of this set of notes underwent repeated revisions, adjustments and additions by the designer, and was written in Chinese wei-style characters by Mr Ma Wenwei, a researcher at the head office. It was then printed and issued in 11 denominations and 17 editions from 1 March 1955 until 20 April 1962. The plan to have Mao's portrait printed on the second set of renminbi fell through again when Mao Zedong again unceremoniously blocked it.

When the third set of RMB was designed and issued, the printing of Mao's head was not mentioned again because of the two previous instances. However, during the Cultural Revolution, there was a ludicrous and thought-provoking episode related to the printing of Mao's head. The story goes like this: some people from the banknote printing factory cabled the head office of the People's Bank of China, saying that they wanted to raise the great red flag of Mao Zedong's Thought, that there was something wrong with the RMB 1 yuan note being printed, and that the printing should be stopped immediately, claiming that they wanted to print notes with the Chairman's head on them, and that the head office should make a clear statement. The head office promptly reported this to the Central Committee, and when Mao Zedong learned of it, he again firmly opposed it and asked Zhou Enlai to convey the opinion that "the Chairman does not agree to his image being printed on the RMB." Thus the matter came to an end.

Premier Zhou Enlai was equally concerned about the design of the third set of banknotes, providing strict control and careful guidance, and proposing three specific amendments. This set of RMBs was printed and issued from 20 April 1962 until 15 April 1980. In this way, the third set of RMBs still did not have the portrait of Mao Zedong on them.


(Above: a note from the third series which continued to feature the masses rather than Party leaders).


( Liang Jun, China’s first female tractor driver and the banknote on which she features. Below, the photo on which the engraving for the note was based.


The fourth set of renminbi was designed in 1983, after the end of the Cultural Revolution and the new period of reform and opening up that followed the smashing of the Gang of Four. By this time, Mao Zedong and other major leaders of the first generation of the Chinese Communist Party had passed away.


(
Above and below: the one yuan denomination features images of Yao and Dong minority nationality women. As a 16-year-old,  Shi Milkin was photgraphed in Guizhou Province by one of the currency designers.  Her family was poor, she had not read a book, and she couldn’t speak Mandarin, but she graced the one yuan note issued in the early 1980s.)



The design of this RMB was still undertaken by the design team headed by Luo Gongliu. The initial design proposal was still for a maximum denomination of 10 yuan. However, with the development of the commodity economy, this small denomination became increasingly unable to meet the needs of the market, especially when it came to buying valuables, it was inconvenient to carry large amounts of cash and the general public wanted a larger denomination of RMB to be issued. For this reason, the People's Bank submitted to the State Council on the one hand to print additional large denominations of RMB 50 and RMB 100, and on the other hand to assign new tasks to the design team.

Inspired by the touching scenes of the crowds holding portraits of the leaders in the past National Day parades, Luo Gongliu was inspired to reflect the glorious images of the first generation of major leaders of the new China. At the same time, it was also a beautiful wish that had been deep in everyone's hearts for many years. So, after thorough research, the designers agreed that the four leaders - Mao Zedong, Zhou Enlai, Liu Shaoqi and Zhu De - should be placed in relief on the 100 Yuan note to scientifically summarise that "Mao Zedong Thought is the crystallisation of the collective wisdom of the Chinese Communist Party".


(Above: Hmmm, Mao Zedong and Liu Shaoqi on the same banknote? Even though they were separated by Zhou Enlai, Liu's reappearance signaled the victory of his and Deng Xiaoping's decision to follow the capitalist road.)

Although Mao Zedong was adamantly opposed to the printing of his head in the past, with the changes and developments of the times, it was imperative that the heads of the great men are printed on the face of the note. In this way, it is not only a way to remember and permanently frame the great achievements of the older proletarian revolutionaries, but also an effective channel to educate the younger generation on revolutionary traditions.

In view of the fact that banknotes in many countries are generally exchanged once every seven or eight years, and our country’s fourth set of renminbi had been in circulation for more than 10 years, it was time to gradually exchange new edition currency. Therefore, on September 30, 1999, Premier Zhu Rongji issued the State Council Order No. 268, instructing the People’s Bank of China to issue 100 yuan, 50 yuan, 20 yuan, 10 yuan, 5 yuan, 1 yuan, and 5 jiao and 1 jiao[3] notes. The fifth set of renminbi with eight denominations was mixed with the fourth set of renminbi. This was a major event in the construction of our country’s currency system and a great gift on the 50th birthday of the Republic.

(Above and below: the fifth series. The capitalist-roaders are adept at hiding behind this great Communist's image).

When people who were immersed in the rich, warm happiness of celebrating the 50th anniversary of the founding of the country saw the head of Mao Zedong at the beginning of the founding of the country stand out as the main scene on the front of the fifth set of RMB 100 large notes, it was like a gust of spring breeze pounding in their faces and a wisp of fresh fragrance refreshing their hearts, and they were in an extraordinarily joyful and relaxed mood. The enlarged head of Mao Zedong is very pleasing to the eye, very kind and benevolent, fulfilling the long-standing wish of hundreds of millions of people to venerate and remember the founding leader, which has profound historical significance.

Chinese original accessed at 毛泽东屡阻在人民币上印他的像_马院网|红色故事Mayuan.wang - Powered by Discuz!



[1] The term “laorenjia” (“the old man”) is highly respectful in China.

[2] This remark was made to Zhou Enlai as he and Mao prepared to leave Xibaipo in rural China for Beijing. Li Zicheng was leader of a peasant rebellion that invaded Beijing and, in 1644, toppled the Ming Dynasty. Even though he overran Beijing, the would-be emperor failed to keep power because he and his colleagues alienated the masses by adopting an aristocratic lifestyle. His rule lasted less than a year. The reference to the imperial exams, which were taken in Beijing, was to the test that Party cadres would have to take in facing the sugar-coated bullets of the bourgeoisie once they had entered the cities.

[3] One jiao is equal to ten fen, or ten cents.

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